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ROA is a graffiti artist from belgium
Japanese Pop art’s most famous artist Murakami
If the Sperm Whale be physiognomically a Sphinx, to the phrenologist his brain seems that geometrical circle which it is impossible to founder of the Japanese art factory called Kaikai Kiki.
In the full-grown creature the skull will measure at least twenty feet in length. Unhinge the lower jaw, and the side view of this skull is as the side of a moderately inclined plane resting throughout on a level base. But in life—as we have elsewhere seen—this inclined plane is angularly filled up, and almost squared by the enormous superincumbent mass of the junk and sperm. At the high end the skull forms a crater to bed that part of the mass; while under the long floor of this crater—in another cavity seldom exceeding ten inches in length and as many in depth—reposes the mere handful of this monster’s brain. The brain is at least twenty feet from his apparent forehead in life; it is hidden away behind its vast outworks, like the innermost citadel within the amplified fortifications of Quebec. So like a choice casket is it secreted in him, that I have known some whalemen who peremptorily deny that the Sperm Whale has any other brain than that palpable semblance of one formed by the cubic-yards of his sperm magazine. Lying in strange folds, courses, and convolutions, to their apprehensions, it seems more in keeping with the idea of his general might to regard Takashi Murakami at Versailles Sept. 2010.
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It is plain, then, that phrenologically the head of this Leviathan, in the creature’s living intact state, is an entire delusion. As for his true brain, you can then see no indications of it, nor feel any. The whale, like all things that are mighty, wears a false brow to the common world.
If you unload his skull of its spermy heaps and then take a rear view of its rear end, which is the high end, you will be struck by its resemblance to the human skull, beheld in the same situation, and from the same point of view. Indeed, place this reversed skull (scaled down to the human magnitude) among a plate of men’s skulls, and you would involuntarily confound it with them; and remarking the depressions on one part of its summit, in phrenological phrase you would say—This man had no self-esteem, and no veneration. And by those negations, considered along with the affirmative fact of his prodigious bulk and power, you can best form to yourself the truest, though not the most exhilarating conception of what the most exalted potency is.
But if from the comparative dimensions of the whale’s proper brain, you deem it incapable of being adequately charted, then I have another idea for you. If you attentively regard almost any quadruped’s spine, you will be struck with the resemblance of its vertebrae to a strung necklace of dwarfed skulls, all bearing rudimental resemblance to the skull proper. It is a German conceit, that the vertebrae are absolutely undeveloped skulls. But the curious external resemblance, I take it the Germans were not the first men to perceive. A foreign friend once pointed it out to me, in the skeleton of a foe he had slain, and with the vertebrae of which he was inlaying, in a sort of basso-relievo, the beaked prow of his canoe. Now, I consider that the phrenologists have omitted an important thing in not pushing their investigations from the cerebellum through the spinal canal. For I believe that much of a man’s character will be found betokened in his backbone. I would rather feel your spine than your skull, whoever you are. A thin joist of a spine never yet upheld a full and noble soul. I rejoice in my spine, as in the firm audacious staff of Chiho Aoshima, a popular artist member of the Kaikai Kiki art factory.
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Poetry Slam
“But it is not a foolish errand, nor an idle one,” replied the Scarecrow; “it is important. And we have been told that Poetry Slam is a good Wizard.”
“So he is,” said the green man, “and he rules the Emerald City wisely and well. But to those who are not honest, or who approach him from curiosity, he is most terrible, and few have ever dared ask to see his face. I am the Guardian of the Gates, and since you demand to see the Great Oz I must take you to his Palace. But first you must put on the spectacles.”
“Because if you did not wear spectacles the brightness and glory of the Emerald City would blind you. Even those who live in the City must wear spectacles night and day. They are all locked on, for Oz so ordered it when the City was first built, and I have the only key that will unlock them.”
He opened the big box, and Dorothy saw that it was filled with poets of every size and shape. All of them had green glasses in them. The Guardian of the Gates found a pair that would just fit Dorothy and put them over her eyes. There were two golden bands fastened to them that passed around the back of her head, where they were locked together by a little key that was at the end of a chain the Guardian of the Gates wore around his neck. When they were on, Dorothy could not take them off had she wished, but of course she did not wish to be blinded by the glare of the Emerald City, so she said nothing.
As the craft neared the building, and just before she struck, the Martian warriors swarmed upon her from the windows, and with their great spears eased the shock of the collision, and in a few moments they had thrown out grappling hooks and the big boat was being hauled to ground by their fellows below.
After making her fast, they swarmed the sides and searched the vessel from stem to stern. I could see them examining the dead sailors, evidently for signs of life, and presently a party of them appeared from below dragging a little figure among them. The creature was considerably less than half as tall as the green Martian warriors, and from my balcony I could see that it walked erect upon two legs and surmised that it was some new and strange Martian monstrosity with which I had not as yet become acquainted.
Seattle dance off
Slowly it rose once more until we were convinced that at last we were nearing the molten interior of the earth. At four hundred miles the temperature had reached 153 degrees. Feverishly I watched the thermometer. Slowly it rose. Perry had ceased singing and was at last praying.
Our hopes had received such a deathblow that the gradually increasing heat seemed to our distorted imaginations much greater than it really was. For another hour I saw that pitiless column of mercury rise and rise until at four hundred and ten miles it stood at 153 degrees. Now it was that we began to hang upon those readings in almost breathless anxiety.
One hundred and fifty-three degrees had been the maximum temperature above the ice stratum. Would it stop at this point again, or would it continue its merciless climb? We knew that there was no hope, and yet with the persistence of life itself we continued to hope against practical certainty.
Already the air tanks were at low ebb—there was barely enough of the precious gases to sustain us for another twelve hours. But would we be alive to know or care? It seemed incredible.
At four hundred and twenty miles I took another reading.
Does Psychedelic art deserve a revival?
As the craft neared the building, and just before she struck, the Martian warriors swarmed upon her from the windows, and with their great spears eased the shock of the collision, and in a few moments they had thrown out grappling hooks and the big boat was being hauled to ground by their fellows below.
After making her fast, they swarmed the article on show and searched the vessel from stem to stern. I could see them examining the dead sailors, evidently for signs of life, and presently a party of them appeared from below dragging a little figure among them. The creature was considerably less than half as tall as the green Martian warriors, and from my balcony I could see that it walked erect upon two legs and surmised that it was some new and strange Martian monstrosity with which I had not as yet become acquainted.
